The Russians Renamed St. Petersburg Three Times in a Century

The Russians Renamed St. Petersburg Three Times in a Century St. Petersburg is Russias second-biggest city after Moscow, and from the beginning of time, it has been known by a couple of various names. In the over a long time since it was built up, St. Petersburg has additionally been known as Petrograd and Leningrad, however its otherwise called Sankt-Peterburg (in Russian), Petersburg, and downright Peter. The city has a populace of around 5 million individuals. Guests there take in the design, particularly memorable structures along the Neva River and its channels and tributaries streaming in the city that interface Lake Ladoga to the Gulf of Finland. Being so far north, in the center of summer, the citys light broadens about 19 hours. Landscape incorporates coniferous timberlands, sand hills, and sea shores. Why the entirety of the names for a solitary city? To comprehend the numerous false names of St. Petersburg, look no farther than the citys long, turbulent history.â 1703: St. Petersburg Dwindle the Great established the port city of St. Petersburg on the exceptionally western edge of Russia in 1703 of every a muddy floodplain. Situated on the Baltic Sea, he wanted to have the new city reflect the incomparable Western urban communities of Europe, where he had voyage while concentrating in his childhood. Amsterdam was one of the essential effects on the emperor, and the name St. Petersburg has a distinctly Dutch-German impact. 1914: Petrograd St. Petersburg saw its first name change in 1914 when World War I broke out. The Russians believed that the name sounded excessively German, and it was given an increasingly Russian-sounding name. The Petro beginning of the name holds the historical backdrop of respecting Peter the Great.The - gradâ portion is a typical addition utilized in various Russian urban areas and territories. 1924: Leningrad It was just 10 years that St. Petersburg was known as Petrograd in light of the fact that in 1917 the Russian Revolution 503 made a huge difference for the nation, including the citys name. Toward the start of the year, the Russian government was toppled, and by the end of the year, the Bolsheviks had taken control. This prompted the universes first socialist government. Vladimir Ilyich Lenin drove the Bolsheviks, and in 1922 the Soviet Union was made. After Lenins demise in 1924, Petrograd got known as Leningrad to respect the previous pioneer. 1991: St. Petersburg Quick forward through right around 70 years of the socialist government to the fall of the USSR. In the years that followed, numerous spots in the nation were renamed, and Leningrad became St. Petersburg by and by. Authentic structures saw redesign and revival. Changing the city name back to its unique name didn't come without contention. In 1991, the residents of Leningrad were allowed the chance to decide on the name change. As detailed in the New York Times at that point, a few people saw reestablishing the citys name to St. Petersburg as an approach to overlook the times of unrest during socialist principle and a chance to recover its unique Russian legacy. The Bolsheviks, then again, considered the to be as an affront to Lenin. At long last, St. Petersburg was come back to its unique name, however you will at present discover a few people who allude to the city as Leningrad.

5 Great TED Talks to Inspire Your Writing

5 Great TED Talks to Inspire Your Writing In the event that you have never heard a TED Talk, or been a piece of the crowd of one, you are passing up a genuinely incredible encounter. This is particularly evident on the off chance that you are a craftsman and business visionary for your work. TED (an abbreviation for Technology, Entertainment and Design) is a philanthropic association committed to spreading thoughts as short, amazing talks. The themes range everything from business and science to imagination and self improvement and are driven by individuals who are exceptionally fruitful in their separate organizations or inventive careers.So pause for a minute to tune in through the best ones Ive found that are driven by effective journalists to motivate your own work. You wont be disillusioned and it will probably be the most beneficial 18 minutes (or less) you spend today.Amy Tan: Where Does Creativity Hide?Amy Tan is the creator of The Joy Luck Club, The Kitchen Gods Wife and The Hundred Secret Senses. Her works investig ate mother-little girl connections and the Chinese American experience, and for this TED Talk, she examines the imaginative procedure. For scholars searching for answers in how to take advantage of the innovative procedure, this discussion is an extraordinary method to tweak your senses.Beginning with insights concerning an exposition she composed at 11 years old, Tan talks about her own procedure of creation-especially, how from nothing, comes something. As a foundation for how she was instructed, she discusses how her moms faith in destiny or condemnations created after her dad and sibling spent a half year separated. She had this thought of death all around her, and her mom accepted she would be straightaway. When you center around death, Tan notes, you become innovative in an endurance sense.Tan asks her crowd to engage the subject of for what valid reason things occur, how things occur, and how would they impact things to occur? With these inquiries, Tan presents what she consi ders the cosmology of my own universe as its maker and notes that imagination is a feeling of ones powerlessness to stifle the dull issue, the vulnerability standard (am I a fake? is my composing not important any longer?), and the eyewitness impact. In these, she takes note of that imaginative individuals have different degrees of uneasiness and uncertainty you dont realize what's going on, however you know its happening.Finally, she calls attention to that as a maker, you notice upsetting indications from the universe. Scholars get these clues/hints that have been both evident and have not been. You start to see it all the more frequently and you figure out how to apply it. She talks about the point of view of her own excursion to Burma and the book that would result. There, her possibility experiences transformed into a flat out fundamental recorded as a hard copy a story.Elizabeth Gilbert: Your Elusive Creative GeniusIn this TED Talk, American creator Elizabeth Gilbert, creator of Eat, Pray, Love, starts with a conversation of how something unconventional has occurred in her profession to recalibrate her relationship with her work. After Eat, Pray, Love, which turned into a uber sensation, she takes note of that wherever she goes, individuals treat her like shes damned, as shes never going to have the option to top the accomplishment of that book. She noticed that there is constantly a dread based response: What about the embarrassment of dismissal? Is it accurate to say that she is setting out toward the garbage dump of broken dreams?She then inquiries what is it about inventive endeavors that stress individuals? She takes note of the horrid demise of superb, innovative personalities who have passed on youthful and frequently at their own hands. Many appear to be extremely fixed in their inventiveness and it is a typical suspicion that aestheticness will at last lead to anguish. As per Gilbert, this is a perilous assumption.She then talks about how in ant iquated Greece and Rome, individuals accepted that inventiveness was a heavenly orderly. Greece called it daemons and Rome called it virtuoso, yet in the two cases, it was a mystical, divine substance that lived in the dividers of a craftsmen studio. At the point when incredible craftsmanship occurred, it was because of a people daemon or virtuoso, something that was outside of the capacity of the craftsman alone.Gilbert noticed this is a mental build to shield journalists from narcissism or nervousness about progress. With the start of objective humanism, individuals accepted craftsmanship originated from oneself. The craftsman was the virtuoso as opposed to having a virtuoso visit the person in question. As per Gilbert, this new idea makes unmanageable desires for execution that has been slaughtering off specialists for as long as 500 years and she asks: Can we return to an antiquated comprehension of the connection among people and innovative mystery?Andrew Stanton: The Clues to a Great StoryAndrew Stanton is an American movie chief, screenwriter, maker and voice on-screen character who has made honor winning screenplays with Pixar. His film work incorporates co-composing Pixars A Bugs Life (1998), alongside Finding Nemo (2003) and its continuation Finding Dory (2016). He is likewise the cerebrums behind WALL-E (2008) and Disneys John Carter (2012), just as the co-author on every one of the four Toy Story movies and Monsters, Inc. (2001)Beginning with a messed up joke (NSFW, dont state I didnt caution you!) about a man in the Scottish Highlands, Stanton recommends that narrating is joke telling. The best narrating includes the teller knowing the consummation, and everything that is said-from the first to the last-attesting the human connection.He then talks about the best story charge: make me give it a second thought, genuinely and stylishly. Beginning from the closure of his own story to how he mastered narrating, he examines how he utilized this strategy in the dream/sci-fi movie that he co-composed and coordinated, John Carter. He noticed that, likewise with this film, every great story should start by giving you a guarantee that it will lead you some place important by the end.He at that point talks about WALL-E, which earned him two Academy Awards for Best Animated Feature, and how narrating without exchange is the most comprehensive type of narrating. The crowd really needs to work for their supper, they just dont need to know theyre really doing that, he says. Along these lines, this is the activity of the narrator and the bringing together hypothesis of his screenplay, Finding Nemo, which won him a selection for Best Original Screenplay. He takes note of that similarly as with this film, the best characters are the ones who are attempting to scratch an obscure itch.Finally, he talks about how change is crucial in a story. In the event that accounts go static, they kick the bucket. This TED Talk is so loaded with significant c ounsel, youll need to watch it twice just to discover everything from this skilled screenwriter.Misan Sagay: Why you ought to writeI compose in light of the fact that Im a wrinkle, says Misan Sagay, a previous crisis room specialist who made her composing debut with the 1999 film, The Secret Laughter of Women.To clarify this announcement, Sagay examines the explanation she composes and the explanation her crowd (which is us) ought to compose as well. She takes note of that we are joined to the entirety of our close families by stories. Stories tie us. Were similarly bound to our human family by stories, and film is the significant account fine art of our times.She tells how when growing up, she never observed herself on screen. Setting off to the film resembled taking a gander at a family photo collection and she was not there, and she asked why she was not there. She felt this as a hurt. The Black movies made at the time were prevalently male, savage, and contained medications. Her e she was-a Black lady who adored Jane Austen, and she was mysteriously absent on-screen.This constrained her to turn into a narrator since she understood that so as to see her story in film, to try and see somebody who resembles her, she would need to make it. What's more, her story would be brimming with decisions that are the entirety of who she is.In this objective, she said she before long felt like a wrinkle in a smooth sheet†¦someone was continually attempting to streamline her and persuade her to acknowledge the norm. She makes reference to hearing guidance, for example, You can't make a film with a dark female lead. No one needs to catch wind of subjection, it makes individuals awkward. There is no audience.However, she has consistently wouldn't acknowledge that. Furthermore, with that foundation, she asks the crowd, what story do you need to tell? Your story will never be caused except if you to decide to put it out there. Thus starts the creators journey.Sagay was in the long run effective in her undertaking, with the 2013 British dramatization Belle, which she wrote in 2013. The film recounts to the tale of Belle, the girl of a subjugated African and a British chief of naval operations. It dives into the untold accounts of African descendents, particularly ladies, in British society in the late 1700s. It was Sagays Jane Austen on screen, much the same as she was constrained to compose when younger.Now as an individual from the Academy of Motion Picture Arts and Sciences, Sagay is additionally an individual from the Wolfe pack: a gathering of 50 driving female screenwriters working in Hollywood looking to bring other ladies into the screenwriting business.Simon Van Booy: How To Write Your Novel In Under 20 minutesDont let the title fool you-this isn't a conversation of how to compose a novel in a short time (that is outlandish). Be that as it may, in this 20-minute conversation, writer Simon Van Booy addresses the inquiry: Why should anybody co mpose a novel?Some foundation on Van Booy: his short story assortment, Love Begins in Winter, won the 2009 Frank OConnor International Short Story Award. He is likewise a smash hit creator of nine fiction titles, alongside three treasurys of reasoning. He established Writers for Children in 2013 and through it, assists youthful with peopling construct trust in their narrating abilities.For this specific TED Talk, he starts by taking note of that being a business achievement isn't equivalent to being a scholarly achievement. Truth be told, by and large, the artistic greats were ineffective during their occasions. In any case, one thing they did, he notes, is that they followed their center that inward voice that guides you as an essayist and gets more grounded and more clear the more you compose. Composing liberates you from dread and with astuteness comes self-governance. Being a business achievement isnt anyplace in that equation.Fo

Lolita, Estella, Lana, and Me

Lolita, Estella, Lana, and Me “This is probably way too personal,” is a thing I think quite frequently when writing for the internet. “You never know who might be reading it.” Which is both a good thing and a bad thing, really, because sure, someone it’s vaguely about could be reading itbut so could someone who feels it’s about them, and isn’t that much more important? I think it is, so here I am, about to tell you stuff about my life that I really don’t talk about, only writewritewrite. Remember the first time you read something that reminded you of something else you’d read? It was long before you learned the word intertextuality, I’m sure (at least, it was for me). For me, it was the same moment I realized that I had read enough that such a thing could finally happen. I mean, okay, in my case I was 13 and it was the title of Tori Amos’s Boys for Pele  that reminded  me of a Sweet Valley Twins Super Edition called The Unicorns Go Hawaiian; still, I felt pretty cool because I had learned from the book that Pele was a volcano goddess and understood on a very basic level what Boys for Pele meant. The title, not the album; I was waaaayyy too young for that album when I bought it, thank goddess, or I might not have loved it as hard as I did. Anyway. On to the personal. When I first read Lolita, I was 21. When I first read Great Expectations, I was 16. When I first heard Lana Del Rey, I was 28. I’m far from a Lana fangirl, but  I feel like I get her persona because to me, it’s a character that couldn’t exist without Lolita and Estella. She became the link between the Nabokov, the Dickens, and my own history, somehow; now I can’t separate her from them. It’s just math, really: Lolita + Estella + Lana = me, for a highly formative five-year period of my life. I should be very thankful that it’s not me now at all, now that I’m happily married and just sitting around crocheting and reading books and hiding from excitement as best I can; not me now, finally feeling healed and alive and strong instead of sad and broken and Interestingâ„¢. I cringe now when I think about being 16, being 21, and the time in between when I was so busy playing characters that I’m only just now getting around to processing what really happene d (in writing of course, the way I process everything). I cringe, and I write, and I put it on the internet. *** As a survivor of a very specific type of psychological and physical violence from a young age until a slightly less-young age, I adopted the persona of a girl who could take it. I stood up and fought back, but never enough to deter the perpetrators from striking again. And again. And again. Bruised and sore, I was, but never ever willing to back down from a fight. I even convinced myself that I provoked the fights just to prove how tough I was. Tough as nails, rough as pine bark. In control, in other words. But no: nice, sugar and spice, a powder puff, a teary-eyed  puddlebut only in private. When I first read Lolita, I intentionally read her as the same, to console myself, to lift myself up and share a pedestal with this idealized-but-victimized young girl. That’s what my 21-year-old self needed, flooded as I was with memories I had no idea what to do with; flooded as I had been for five fucking years with all the awfulness I’d repressed. I needed to be idealized, and had been; we’ll get to that. I needed a pedestal because how else could I be sure everyone was looking at me, but only at the carefully-constructed version I wanted them to see. Let’s go back, shall we, even further? When I was 16, I liked a guy. I can’t call him a boy, really, because he was much older, but “man” doesn’t feel right either. I can’t call it like, really, because it turned much bigger and darker. He gave me Wuthering Heights. From there, I went to Jane Eyre and promptly to Dickens. Of course, it helped me along that path when, in 1998, Tori Amos had a song on the soundtrack to the Ethan Hawke/Gwyneth Paltrow abomination  adaptation of Great Expectations. (I actually like that film just fine, but I know I’m not really supposed to.) I paraded myself in front of this guy as much as I could. I preened. I acted out, but only when he was looking. I faked sending flirtatious AOL IMs (it was the late 90s) “to the wrong person, oops, sorry!” You know, to test the water. I wanted him to desire me, to think me wise beyond my years, an old soul, so much smarter than he was at my ageall those things older men should never say to teenage girls but always do anyway. Still, those words were all I was hungry for, and when I finally got them, mere days (okay, nights) shy of my eighteenth birthday, I had no idea what to do with them. When he invited me to his house, I pulled back. This is when he called me Estella for the first time, and I thought that actually, pulling back was showing him I was in control. It implied that he had invested something in me, maybe just lust and maybe a hefty dose of perversity, and that I had the ability to refuse him what he wanted (sex) when I realized he wasn’t going to reciprocate in the way I wanted him to (with love). I needn’t reveal more to get my point across. I hope he doesn’t read this and know himself immediately. I hope he does. That whole era of my life, those two years and the three-yes-three it took to move on, feels like something out of a book. Actually, it is technically  in a book because I wrote literally hundreds of poems about it all, and more. I was prepared in a couple of unique ways, at least, to accept the character Lana Del Rey embodies in her songs. It’s been argued that she glorifies violence against women, that she’s the ultimate poseur, that she plain sucks, and so on. I don’t really keep up with her outside of her music, honestly, so I don’t have opinions on those things. (As a semi-ranty aside, I will say that, while I know she has distanced herself from feminism, it actually hurts rather than helps when other women tear her down for that. We should be asking what feminism is doing wrong that alienates women like her.) All I know is that so many of Lana’s lyrics perfectly narrate my feelings for The Guy. He wasn’t as old as Humbert, and he wasn’t rich like a skeezy old man  in a LDR song, but I’m a little shocked he didn’t quote “light of my life, fire of my loins” at me at some point. The more damaged I painted myself to be, the more interested he became. As if all my past experiences led to me being just exactlywhat?desperate unhinged appealingly crazy enough to give him what he wanted. I persisted; I held back. I took so I could refuse to give. When  Lana Del Rey released Ultraviolence earlier this year, immediately the play on words struck me: Is she trying to talk about the level of violence that’s there but invisible, like ultraviolet light? Verbal abuse. Sexual coercion without physical force. Psychological torture. Everything unnameable and evil that never leaves a bruise, never brings blood, never mars the surface. She sings “he hit me and it felt like a kiss,” sounding disturbingly disaffected, in the voice of a woman who is as accustomed to violence as other women are to affection. She tells herself a man is shitty to her because “I’m pretty when I cry.” She is as trapped as Lolita, as disillusioned as Estella. She’s a link between the two that makes sense to me because of my strained relationship with them both. *** Hi, I’m an open book built of other books, of music and poetry, and especially of the too-personal, rambling essays I’m fond of putting on the internet. I want to know whose words you’re made of, so tell me in the comments.

Background of Public Bank and Security Threats Problem

Public Bank Malaysia was established in 6 August 1966 by Tan Sri Dato’ Sri Dr. Teh Hong Piow, and was listed on the Kuala Lumpur Stock Exchange (KLSE) on 6 April1967 (Public bank corporate profile, n.d.). The headquarters of the bank is situated in Kuala Lumpur, the capital city of Malaysia. According to Public Bank Corporate Profile (n.d.), the Public Bank Group is the third largest banking group in Malaysia with total assets of RM274.62 billion at the end of 2012, and ranked number six by asset size in Southeast Asia. Public Bank also known as the largest non-government-linked corporation in Malaysia (Public Bank Corporate Profile, n.d.). Data retrieved from http://1-million-dollar-blog.com/2011-ranking-of-malaysian-banks-based-on-assets-size-market-capitalization/. The mission of Public Bank is to â€Å"sustain the position of being the most efficient, profitable and respected premier financial institution in Malaysia† (Public bank corporate profile, n.d.). To achieve their goal, Public Bank cares for its customer, employees, shareholders and community to let everyone can satisfied with their services. To be ranked among the top 100 banks in the world is the vision of the bank. Problem Until now, security threat is always a challenge for Public Bank Malaysia Berhad. A security threat can be known as a possible cause that may harm to a system or an organization and even its assets (Information Management, n.d.). 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Evolution of Public Administratpon - 5727 Words

Contents EVOLUTION OF PUBLIC ADMINISTRATION AS A DISCIPLINE AND ITS PRESENT STATUS: 2 Historical Evolution: 6 PARADIGMS OF PUBLIC ADMINISTRATION: 9 Evolution of Public Administration 15 Period I (1887 – 1926) Public Administration Dichotomy : 15 Period II (1927 - 1937) Principles of Administration : 16 Period III (1938 – 1947) Era of Challenge : 17 Period IV (1948 - 1970) Public Administration As Management: 17 Organizational development: 19 Period V(1971 - Continuing :Public administration as publicAdministration: 1971-? 20 The New Public Administration 21 The New Public Management (NPM) 23 HIGHLIGHTS IN THE HISTORY OF PUBLIC ADMINISTRATION 25 EVOLUTION OF PUBLIC ADMINISTRATION AS A DISCIPLINE AND ITS PRESENT†¦show more content†¦In the post war years, public administration changed its character and there was a change in its scope and methods of investigation. Till the end of the World War II, the development of the science of public administration was confined to the U S A and Europe and most of the scholars and practitioners in the field studied the administrative systems of the USA or Europe and arrived at generalizations which they tried to apply to in all countries. After World War II came to an end, there came about the independence of the colonies and the need for development of administrative systems suited to these colonies arose. Scholars, therefore, found the need to arrive at generalizations in the field of public administration which would be applicable in these countries with diverse political economic and social systems. Led by scholars like F.W. Riggs, Ferrel Heady, Gabriel A. Almond and others, th e comparative public Administration came in to being and it started the comparative study of systems of public administration, comparing the systems of different countries, developed, underdeveloped, and arriving at principles applicable across a broad range of countries. The comparative public administration movement greatly broadened the study of public administration by emphasizing the development of principles of administration applicable across the board in different situations. It was a timely extension in the scope of the

Disclaimer Free Essays

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The Taming Of The Shrew Analytic Play Review Essay Example For Students

The Taming Of The Shrew Analytic Play Review Essay The Taming Of The Shrew by William Shakespeare is probably one of Shakespeare’s earliest comedies. Its plot is derived from the popular ‘war of the sexes’ theme in which males and females are pitted against one another for dominance in marriage. The play begins with an induction in which a drunkard, Christopher Sly, is fooled into believing he is a king and has a play performed for him. The play he watches is what constitutes the main body of The Taming Of The Shrew. In it, a wealthy land owner, Baptista Minola, attempts to have his two daughters married. One is very shrewish, Katherine, while the other is the beautiful and gentle Bianca. In order to ensure Katherine is married, Baptista disallows Bianca to be espoused until Katherine is wed, forcing the many suitors to Bianca to find a mate for Katherine in order for them to vie for Bianca’s love. Many critics of the play condemn it for the blatant sexist attitude it has toward women but closer examination of the play and the intricacies of its structure reveal that it is not merely a story of how men should ‘put women in their place’. The play is, in fact, a comedy about an assertive woman coping with how she is expected to act in the society of the late sixteenth century and of how one must obey the unwritten rules of a society to be accepted in it. Although the play ends with her outwardly conforming to the norms of society, this is in action only, not in mind. Although she assumes the role of the obedient wife, inwardly she still retains her assertiveness. Most of the play’s humour comes from the way in which characters create false realities by disguising themselves as other people, a device first introduced in the induction. Initially this is accomplished by having Christopher Sly believe he is someone he is not and then by having the main play performed for him. By putting The Taming Of The Shrew in a ‘play within a play’ structure, Shakespeare immediately lets the audience know that the play is not real thus making all events in the play false realities. Almost all characters in the play take on identities other than their own at some point of time during the play. Sly as a king, Tranio as Lucentio, Lucentio as Cambio, Hortensio as Litio and the pedant as Vicentio are all examples of this. Another example of this is Katherine as an obedient wife. We will write a custom essay on The Taming Of The Shrew Analytic Play Review specifically for you for only $16.38 $13.9/page Order now In The Taming Of The Shrew, courtship and marriage are not so much the result of love but rather an institution of society that people are expected to take part in. As a result of the removal of romance from marriage, suitors are judged, not by their love for a woman, but by how well they can provide for her. All suitors compare the dowry each can bring to the marriage and the one with the most to offer ‘wins’ the woman’s hand in marriage. This competition for marriage is like a game to the characters of the play. While discussing the courtship of Bianca with Gremio, Hortensio says â€Å"He that runs fastest gets The ring† (Act I, scene i, l. 140-141) likening receiving permission to wed Bianca to winning a race. In the game, however, women are treated like objects that can be bought and sold rather than as human beings. This is expected since the society is a patriarchal one. For example, Lucentio, Tranio and Petruchio are all defined with reference to the ir fathers and all the elderly authority figures, like Baptista and Vicentio, are men. The taming of Katherine is not a women’s shrewishness being cured as much as it is a woman being taught the rules of the ‘patriarchal game’. Katherine has learned how to be assertive and with this knowledge is able to control men, and a woman controlling a man is considered ‘against the rules’ of the game. The play ends with Katherine proving that she is truly cured of her ’shrewishness’ and is the most obedient of the three newlywed wives at the end of the play. .u1e0fc7706fe5d77bcf18549994f18385 , .u1e0fc7706fe5d77bcf18549994f18385 .postImageUrl , .u1e0fc7706fe5d77bcf18549994f18385 .centered-text-area { min-height: 80px; position: relative; } .u1e0fc7706fe5d77bcf18549994f18385 , .u1e0fc7706fe5d77bcf18549994f18385:hover , .u1e0fc7706fe5d77bcf18549994f18385:visited , .u1e0fc7706fe5d77bcf18549994f18385:active { border:0!important; } .u1e0fc7706fe5d77bcf18549994f18385 .clearfix:after { content: ""; display: table; clear: both; } .u1e0fc7706fe5d77bcf18549994f18385 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u1e0fc7706fe5d77bcf18549994f18385:active , .u1e0fc7706fe5d77bcf18549994f18385:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u1e0fc7706fe5d77bcf18549994f18385 .centered-text-area { width: 100%; position: relative ; } .u1e0fc7706fe5d77bcf18549994f18385 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u1e0fc7706fe5d77bcf18549994f18385 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u1e0fc7706fe5d77bcf18549994f18385 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u1e0fc7706fe5d77bcf18549994f18385:hover .ctaButton { background-color: #34495E!important; } .u1e0fc7706fe5d77bcf18549994f18385 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u1e0fc7706fe5d77bcf18549994f18385 .u1e0fc7706fe5d77bcf18549994f18385-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u1e0fc7706fe5d77bcf18549994f18385:after { content: ""; display: block; clear: both; } READ: My Mother is a Hero EssayThis is demonstrated in her soliloquy when she lectures the other wives on the proper way in which a woman should behave: I am ashamed that women are so simple To offer war where they should kneel for peace, Or seek rule, supremacy, and sway, When they are bound to serve, love, and obey. (Act V, scene ii, l. 161 164) Although most critics interpret the play as being that of a woman finally acting the way in which she is supposed to act, it is difficult to believe that a character as vibrant and strong-willed as Katherine is changed so easily. Following with the device of false realities that Shakespeare set in place so early in the play, it would seem more logical that Katherine would simply be acting the part of ‘the obedient wife’ in order to be accepted in the society in which she lives. Katherine can ‘play a part’ very well and can even enjoy doing it. This is shown on the road to Padua from Petruchio’s house when Kate is forced to address Vincentio as a woman and says, â€Å"Young budding virgin, fair and fresh and sweet† (Act IV, scene v, l. 37). The Taming Of The Shrew is a light-hearted comedy that is better seen than read. This is especially true since a lot of the humour in it is physical or ’slapstick’ humour which is possible only on stage. The complexity of the play is refreshing, as many of the modern plays of today are quite linear and do little to keep a reader’s attention. Another favourable aspect of it is the subplot involving Lucentio and Bianca which lends itself as the basis for many humourous moments, most notably between Lucentio, Hortensio and Bianca. The obvious sexist attitude of the play does not hinder it because of the reasons stated above. One must also take into account the attitudes of sixteenth century England and the fact that the play is a comedy and is not meant to be taken seriously.